MathOnTape

I started making electronic music in the early 2000s. Dirty analog synths, magnetic tape, feedback loops. No audience, no commercial goal. Just a room full of gear and whatever came out of it.

The visual identity and the sonic texture are built as one system. Tape hiss becomes halftone dot patterns. Audio distortion becomes print misregistration. MICR typography from the bottom of bank checks: institutional form containing obsessive content. The visual treatment runs through PressWorks.

Both surfaces are mine. The music and the brand system are built by the same person, from the same material logic, at the same time.